{"id":53,"date":"2012-10-14T14:37:48","date_gmt":"2012-10-14T14:37:48","guid":{"rendered":"http:\/\/danemo.com\/?page_id=53"},"modified":"2025-05-18T10:07:43","modified_gmt":"2025-05-18T10:07:43","slug":"led","status":"publish","type":"page","link":"https:\/\/danemo.com\/?page_id=53","title":{"rendered":"LED"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">LED<\/h3>\n\n\n\n<p><strong>Nils Janson<\/strong>&nbsp;&#8211; trumpet<br><strong>Thomas Backman<\/strong>&nbsp;&#8211; alto saxophone and clarinet<br><strong>Mats \u00c4leklint<\/strong>&nbsp;&#8211; trombone<br><strong>Alberto Pinton<\/strong>&nbsp;\u2013 baritone saxophone and flutes<br><strong>Per-\u00c5ke Holmlander<\/strong>&nbsp;&#8211; tuba<br><strong>Peter Danemo<\/strong>&nbsp;\u2013 drums and additional instruments<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft is-resized\"><img decoding=\"async\" src=\"http:\/\/danemo.com\/wp-content\/gallery\/cd-cover\/kopacd038.jpg\" alt=\"kopacd038\" style=\"width:300px\"\/><\/figure><\/div>\n\n\n<p>Inspired by the spirit of improvisation in rock music\u2014drawing from bands like <strong data-start=\"128\" data-end=\"144\">Led Zeppelin<\/strong>, <strong data-start=\"146\" data-end=\"161\">Deep Purple<\/strong>, <strong data-start=\"163\" data-end=\"172\">Cream<\/strong>, and <strong data-start=\"178\" data-end=\"194\">Jimi Hendrix<\/strong>\u2014<strong data-start=\"195\" data-end=\"205\">Danemo<\/strong> has crafted highly creative and personal arrangements for a hand-picked group of musicians, all among the absolute elite of Sweden&#8217;s improvisational jazz scene. This sextet consists of five horns, with Danemo himself on drums. The tuba player, <strong data-start=\"450\" data-end=\"472\">Per-\u00c5ke Holmlander<\/strong>, is also a member of <strong data-start=\"494\" data-end=\"509\">Swedish Azz<\/strong> (with Mats Gustafsson) and <strong data-start=\"537\" data-end=\"565\">Peter Br\u00f6tzmann&#8217;s Tentet<\/strong>.<\/p>\n\n\n\n<p>While there are clear free and avant-garde elements in <strong data-start=\"625\" data-end=\"632\">LED<\/strong>&#8216;s music, the band also incorporates influences from New Orleans jazz and funky grooves. Unexpectedly, there are also mellow sections featuring lyrical polyphony. These refreshing arrangements, combined with the inventive and playful musicianship of the sextet, offer a completely new perspective on Led Zeppelin\u2019s music.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/danemo.com\/wp-content\/gallery\/led\/kopafestival_led1-copy.jpg\" alt=\"kopafestival_led1-copy\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>&#8220;When I was around 15 or 16 years old, I bought my first <strong data-start=\"100\" data-end=\"116\">Led Zeppelin<\/strong> album, <em data-start=\"124\" data-end=\"143\">Physical Graffiti<\/em>. I was absolutely blown away by the power of the music. From there, I worked my way backwards through their albums, diving deeper and deeper into Led Zeppelin&#8217;s world. Time passed, and 30 years later, I moved from one city to another.<\/p>\n\n\n\n<p>The move involved going through old things, cleaning out and throwing stuff away. I came across my old <strong data-start=\"485\" data-end=\"501\">Led Zeppelin<\/strong>vinyls and thought, <em data-start=\"522\" data-end=\"565\">I wonder how I feel about this music now?<\/em> But at the time, there was no time to listen.<\/p>\n\n\n\n<p>While settling into our new hometown, I remembered those old albums I had rediscovered. I began to listen to them again and found that the music still meant as much to me now as it did back then. One thing I noticed, with 30 years of hindsight, was how much they improvised. Especially when listening to their live albums, where songs could extend for up to 20 minutes, full of experimentation. This is something very rare in rock music today.<\/p>\n\n\n\n<p>The idea struck me: What if I arranged some of their songs for a jazz setting? But I wasn\u2019t sure what kind of band would be the right fit. Slowly, the concept began to take shape, and after some trial and error, I eventually found the perfect combination of instruments and musicians.&#8221;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"714\" src=\"http:\/\/danemo.com\/wp-content\/uploads\/2012\/10\/IMG_2335-Edit-Edit-Edit_1000px_\u00a9Miki.Anagrius.jpg\" alt=\"IMG_2335-Edit-Edit-Edit_1000px_\u00a9Miki.Anagrius\" class=\"wp-image-500\" srcset=\"https:\/\/danemo.com\/wp-content\/uploads\/2012\/10\/IMG_2335-Edit-Edit-Edit_1000px_\u00a9Miki.Anagrius.jpg 1000w, https:\/\/danemo.com\/wp-content\/uploads\/2012\/10\/IMG_2335-Edit-Edit-Edit_1000px_\u00a9Miki.Anagrius-300x214.jpg 300w, https:\/\/danemo.com\/wp-content\/uploads\/2012\/10\/IMG_2335-Edit-Edit-Edit_1000px_\u00a9Miki.Anagrius-624x445.jpg 624w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<p>&#8220;Transcribing and arranging the music was a very slow process, but the work itself was deeply satisfying. I thoroughly enjoyed digging into the core of their music, exploring ways to translate it into our style of playing. Having grown up with rock in one ear and jazz in the other, I felt I had come full circle.<\/p>\n\n\n\n<p>So, dear listener, I hope you enjoy the music as much as we enjoyed recording it!\u201d<\/p>\n\n\n\n<p><em data-start=\"454\" data-end=\"481\">Peter Danemo, August 2011<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/danemo.com\/wp-content\/gallery\/led\/kopafestival_led3-copy.jpg\" alt=\"kopafestival_led3-copy\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong data-start=\"46\" data-end=\"67\">LED \u2013 <em data-start=\"54\" data-end=\"65\">The Ocean<\/em><\/strong> was released in October 2011 on <strong data-start=\"100\" data-end=\"125\">Kopasetic Productions<\/strong>. Also featured on the album is <strong data-start=\"157\" data-end=\"173\">Dan Berglund<\/strong> on acoustic bass for <em data-start=\"195\" data-end=\"207\">No Quarter<\/em>.<\/p>\n\n\n\n<p>Below are two links to audio and video clips. The audio excerpts are from <strong data-start=\"286\" data-end=\"295\">LED&#8217;s<\/strong> debut album, <em data-start=\"309\" data-end=\"320\">The Ocean<\/em>, released on <strong data-start=\"334\" data-end=\"359\">Kopasetic Productions<\/strong>. The video clips are from <strong data-start=\"386\" data-end=\"395\">LED&#8217;s<\/strong> very first concert at <strong data-start=\"418\" data-end=\"433\">Landet Jazz<\/strong> in 2010, filmed by <strong data-start=\"453\" data-end=\"474\">Bertil Pettersson<\/strong>.<\/p>\n\n\n\n<p><strong><a title=\"LED on youtube\" href=\"http:\/\/www.youtube.com\/meloscope\" target=\"_blank\" rel=\"noopener\">LED on Youtube<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LED Nils Janson&nbsp;&#8211; trumpetThomas Backman&nbsp;&#8211; alto saxophone and clarinetMats \u00c4leklint&nbsp;&#8211; tromboneAlberto Pinton&nbsp;\u2013 baritone saxophone and flutesPer-\u00c5ke Holmlander&nbsp;&#8211; tubaPeter Danemo&nbsp;\u2013 drums and additional instruments Inspired by the spirit of improvisation in rock music\u2014drawing from bands like Led Zeppelin, Deep Purple, Cream, and Jimi Hendrix\u2014Danemo has crafted highly creative and personal arrangements for a hand-picked group of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/danemo.com\/?page_id=53\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;LED&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":48,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danemo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53"}],"version-history":[{"count":28,"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":2095,"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/pages\/53\/revisions\/2095"}],"up":[{"embeddable":true,"href":"https:\/\/danemo.com\/index.php?rest_route=\/wp\/v2\/pages\/48"}],"wp:attachment":[{"href":"https:\/\/danemo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}